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Yang Maolin|Canonization of the Gods — the Pure Land of Maha
Date:2006|05.13 - 05.30
Reception:2006|05.13 3:30pm
Location:Lin & Keng Gallery‧Taipei
Canonization of the Gods — the Pure Land of Maha.
In Yang Maolin’s copper sculptures exhibition, the artist uses external cultural totem as a representation to transform into a light emitting spiritual image. This relates the unexpressed ideology and declaration of a heterogeneous culture.
Yang Maolin|Canonization of the Gods — the Pure Land of Maha
Date:2006|05.13 - 05.30
Reception:2006|05.13 3:30pm
Location:Lin & Keng Gallery‧Taipei
Canonization of the Gods — the Pure Land of Maha.
In Yang Maolin’s copper sculptures exhibition, the artist uses external cultural totem as a representation to transform into a light emitting spiritual image. This relates the unexpressed ideology and declaration of a heterogeneous culture.
Yang Maolin|Canonization of the Gods — the Pure Land of Maha
Date:2006|05.13 - 05.30
Reception:2006|05.13 3:30pm
Location:Lin & Keng Gallery‧Taipei
Canonization of the Gods — the Pure Land of Maha.
In Yang Maolin’s copper sculptures exhibition, the artist uses external cultural totem as a representation to transform into a light emitting spiritual image. This relates the unexpressed ideology and declaration of a heterogeneous culture.
Yang Maolin|Canonization of the Gods — the Pure Land of Maha
Date:2006|05.13 - 05.30
Reception:2006|05.13 3:30pm
Location:Lin & Keng Gallery‧Taipei
Canonization of the Gods — the Pure Land of Maha.
In Yang Maolin’s copper sculptures exhibition, the artist uses external cultural totem as a representation to transform into a light emitting spiritual image. This relates the unexpressed ideology and declaration of a heterogeneous culture.
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